Vista S3 and WYSIWYG join LD Glen Hunter for The Good
Fight in New York.

The Western Australian Academy of Performing Arts (WAAPA) is one of the
most prestigious theatre schools in the country, and was recently selected to
tour The Good Fight at the 2007 New York Musical Theatre Festival. Written
by Nick Enright (best known for “The Boy from Oz”), with music composed by
David King, The Good Fight is set in Australia during the first World War. It’s
based on themes such as mateship and centers around the tale of a
legendary boxer, Les Darcy, and his rise from blacksmith to the world’s most
famous boxer. Performed for the first time in the United States, the New
York Musical Theater Festival showcases new musicals from Australia,
Canada, South Korea the United Kingdom and the United States.

Lighting Designer Glen Hunter is a 3rd year lighting design student at WAAPA
and chose the Jands Vista and Cast Software’s WYSIWYG as his weapons of
choice for the tour. Glen commented: “One of the great challenges of the
show was that we opened the day following a 30 hour flight to New York,
which gave us a day to load in the set, lighting, plot, tech run and then open
that evening. I made a decision early on to completely pre-plot the show in
Perth with the Vista and WYSIWYG”.
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The Theatre Royal Waterford, Ireland has recently purchased a Jands Vista T2 lighting console. It was supplied by local theatre consultants Dirk Baumann Lighting (DBL Lighting) as part of an upgrade to the venue’s existing lighting system, which was over thirty years old.

The Theatre has been Waterford’s main centre of culture and entertainment since the mid 1970s, providing the region with a dynamic programme of professional and community-based music, drama, dance, variety, pantomime and other live productions.

DBL’s Dirk Baumann was appointed to re-design the existing lighting grid and provide a much more flexible system to suit the theatre’s current and future needs. Once the lanterns, grid and dimming were in place, Dirk was also asked to specify a more powerful console to make the most of the new lighting infrastructure. Initially the theatre was keen to stick with a traditional theatre-style desk, but this soon changed after they were given the opportunity to see a demo of the Jands Vista in action.
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