tobyMac ©Jeff Culmer

Lighting and video designer Nick West specified a Jands Vista T2 console to provide lighting, IMAG and video control for the recent tobyMac annual Winter Wonder Slam tour. The American Grammy award-winning gospel rapper’s explosive show featured Diverse City, his 8-member touring band, and played a series of US Arena dates throughout November and December. The touring schedule re-commences in March to promote the launch of tobyMac’s latest studio album, Tonight.

Tour lighting was provided by Axxis Inc., with lighting design, direction and programming by Nick West. Video was provided by Big Picture.

When it came to specifying lighting control for the tour, the Jands Vista was Nick’s desk of choice. Nick is an experienced user of the Vista range, switching between a rented full size T2 console for tours and his own S1 control surface for fly dates or using as a wing, which he takes on every show.

He commented: “When I saw the Vista, the timeline and ability to swap fixtures were major selling points. Often I fly to a show that morning and I may only have 30 minutes with the rig before we play, which gives me just enough time to focus. With the Jands Vista’s Mac or PC based offline editor, one quick advance call to get the fixture types and addresses from the local company and I can have the console ready to go before I even show up on site.”

The tour rig centered around a Barco Slite LED video wall upstage for IMAG and a low resolution Barco MiStrips LED wall in front of a 40 foot wide by 5 foot high riser.

120 Par Cans arranged in a 30 by four configuration were also flown in and out during the show, providing a major set piece used to spell out words. Nick was originally going to pixel map the Par Cans, but after starting to pre-program them on the Vista he found the console’s graphical based approach to programming made it very easy.

He commented: “The show starts off with ‘TOBY MAC’ spelled out in the Par Cans. After a couple of shows, Toby asked if I could do something specific with them, such as having them come on as if someone was writing it. I was able to instantly grab the fixtures, work with them in the timeline and have the effect within 30 seconds of him asking for it.”

The rig also included 22 Martin Mac 700 profiles, ten 26 degree Source Four Lekos, three ETC Sensor racks and two Motion Labs 220V Distros. Video came from a Catalyst HD media server. The lighting, video and live camera feeds were all triggered from the Vista T2 console.

Summarizing his experience of the Vista, Nick commented: “I use the Vista for anything and everything I do. It’s great having on-board visualization of your fixtures and the flexibility to layout the console to your specific needs. The Vista is great for controlling lights, IMAG and video. Technical support for anything is very quick. Jands listen to their users and continually make requests and ideas happen.”

Other production staff on the tour included Tour Manager Ryan Lampa, Stage Manager Sam Shifley, Lighting Crew Chief / FOH Cam Anthony Morgan, Lighting 2nd John “2Tone” Sumitra, LED Tech / Robotic Cams Jeff Culmer, and Shoulder Cam / Video Tech Nick Bush.

Click on the image above to see more photos.

Indiana based Grace Community Church has invested in a range of Vista lighting control solutions as part of a multi-million dollar expansion of its worship facilities. Models purchased include the full-size Vista T2, the portable Vista S1 and the playback-only Vista M1 consoles. This is to expand the church’s capacity to three weekend worship auditoriums, to accommodate as many as 6,000 churchgoers on a typical weekend.

The Church relies on a team of over 100 volunteers to assist the paid production staff during services, which can run simultaneously in up to three auditoriums. Senior Director of Production, Daryl Cripe, therefore felt it was essential to invest in a lighting console that the inexperienced volunteers could easily understand.
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Jands Vista T2 consoles helped worshippers celebrate Easter at Europe’s largest all-night worship event, attended by 30,000 people at London’s ExCel, and a separate event at Wembley Arena.

Worshippers packed out ExCel’s main hall for ‘Festival of Life’, a unique event supported by over 150 churches in the UK which has become the largest all night non-denominational gathering of people in Europe coming together to celebrate God.

Reading-based production company SFL Group provided the complete technical solution and production management for both events. This included over 120 speakers of d&b audiotechnic with Yamaha digital control surfaces, Barco projection and control systems, acoustic draping and stage lighting.

Brighton-based Tamplins Stage Lighting, which has a reputation in the industry for providing lighting production services to conferences, rock concerts and one-off programmes in the Worship market, was engaged by SFL to provide the stage lighting element.

Show lighting designer Sam Tamplin knew there was only one console he’d want to use for the job of providing the lighting control on the massive ExCel event, and knew his choice would also have the full backing of his client.

He commented: “Last year I was looking for a more powerful desk to handle our growing show control needs and entered a competition to win a day’s free Vista training. I had to build a basic show using the Vista demo software, which left me very impressed by how user-friendly and intuitive it was. After then spending a whole day training on the console, I was absolutely convinced it was the only way to go, so I had to invest in one!”
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At ‘The People’s Opening’, in Liverpool, Stephen Page of DBN Lighting controlled the main stage with a Vista T2 while Rob Sinclair used his new suitcase-sized S1 for the CBS broadcast of their ‘Good Morning America’ programme.

From etnow.com News
HSL supplied all lighting equipment including over 200 moving lights and 12 crew for ‘The People’s Opening’ extravaganza that launched Liverpool’s European Capital of Culture year. The spectacular event was staged at – and around – St George’s Hall in the city centre.
The performances involved approximately 700 people including Ringo Starr, Dave Stewart and local upcoming indie stars The Wombats, all of which took place on eight surrounding rooftops including the Walker Arts Gallery, St John’s Beacon, the Empire Theatre, Lime Street Station, etc. as well as on top of and in front of St George’s Hall.
The site was hugely challenging on which to work. Lights had to be craned into position and rigged at all these locations, and also onto a series of scaffolding constructions around the main area.
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Lighting Designer Chris Reade has specified a Jands Vista T2 lighting console for the current Dierks Bentley Throttle Wide Open US Fall tour, supplied by Bandit Lites Inc.

Known as the hardest working guy in country music, Dierks Bentley’s tour schedule has been at full tilt over the last four years. The multi-platinum singer/songwriter returns for an arena headlining tour, spending the next four months focusing his attention on connecting with his fans in larger venues.

Tour lighting is provided by Bandit Lites Inc. and Video by MooTV. The tour is managed by Todd Ortmeier. Production staff include Crew Chief Chris Hallman and Lighting Technician Dave Langford.

LD Chris Reade has worked with a diverse range of leading rock and pop artists, most recently providing design and/or programming for Marc Anthony, Jennifer Lopez and Aerosmith. Although Dierks Bentley is Chris’s first experience working with a country artist, the partnership has been very successful, with him taking on lighting duties for a fourth consecutive tour.

Chris admits to having been a die-hard user of another console and pretty set in his ways before seeing the Jands Vista, so he wasn’t really looking to change consoles when he decided to see a demo while prepping the rig for the recent Dierks Bentley Summer tour.

He commented: “My first impressions of the console were fantastic. I was concerned about the learning curve, as I have done things a specific way for so long. I was impressed with the graphical layout and the visual timing features per instrument and per capability of the instrument. All without using a keypad. I was also impressed with the cloning features and duplication of instruments.”

On most consoles, changing or ‘cloning’ a fixture type involves substantial re-programming – a job that can take hours. In contrast, the Vista’s generic fixture model feature records the actual target look on stage so when the user changes a light, the console compares the abilities of the lights and works out how to achieve the same look on stage – even if the new light doesn’t have identical features.
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Chicago-based Willow Creek Community Church has purchased two Jands Vista T2 lighting consoles.

Willow Creek was named ‘the most influential church in America’ by The Church Report in 2006 and has provided resources, training and encouragement to more than 11,000 like-minded member churches from 90 denominations in 45 countries.

The Church currently has five campuses across Chicagoland – the main South Barrington site and regional campuses in Dupage County, McHenry County, North Shore, and Downtown Chicago – whose combined weekend attendance tops 20,000.

All regional campuses receive videocast messages from South Barrington, which are hosted by an onsite campus pastor and complemented by live services mixing together drama, multi-media and contemporary music.

McHenry County campus Technical Director, Gary Melder, was looking to expand their Main Auditorium’s production capabilities, so approached equipment specialists Intelligent Lighting Creations after they had been involved in a large expansion of South Barrington’s technical facilities.

Although Gary wanted to upgrade to a full-scale production lighting console, he was concerned that many of the campus’s lighting team, which is primarily made up of volunteers, would find some of the consoles they considered foreign and daunting.

After considering a number of consoles, a member of the production team at the main South Barrington campus suggested looking at the Jands Vista after seeing the console used during a concert performance recorded in the Church’s Main Auditorium.

A subsequent Vista demo at the campus left Gary and the lighting team immediately sold on the console. Gary commented: “The user interface and timeline editor features just made much more sense than on other consoles we had seen. Many of our team have video and audio experience as well as lighting, so the thought process behind the desk made a lot of sense.”
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The Theatre Royal Waterford, Ireland has recently purchased a Jands Vista T2 lighting console. It was supplied by local theatre consultants Dirk Baumann Lighting (DBL Lighting) as part of an upgrade to the venue’s existing lighting system, which was over thirty years old.

The Theatre has been Waterford’s main centre of culture and entertainment since the mid 1970s, providing the region with a dynamic programme of professional and community-based music, drama, dance, variety, pantomime and other live productions.

DBL’s Dirk Baumann was appointed to re-design the existing lighting grid and provide a much more flexible system to suit the theatre’s current and future needs. Once the lanterns, grid and dimming were in place, Dirk was also asked to specify a more powerful console to make the most of the new lighting infrastructure. Initially the theatre was keen to stick with a traditional theatre-style desk, but this soon changed after they were given the opportunity to see a demo of the Jands Vista in action.
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Lighting Designer Rob Sinclair has specified Jands Vista T2 and S3 consoles for award-winning UK band Keane’s current world tour.

The 16 month tour to promote latest album Under The Iron Sea began last Apriland has incorporated every size of venue, ranging from intimate club shows to arenas. The shows culminate in August with festival headlining slots.

Keane embarked on the North American leg in May, which includes dates in LA, Minneapolis, Chicago, Detroit, Toronto, Montreal, Portland, Boston, Philadelphia, Washington, District of Columbia and New York.

LD Rob Sinclair has enjoyed a highly successful working relationship with the band since taking over lighting duties – something which is mirrored by his partnership with the Jands Vista console since its launch back in 2004.

Rob commented: “I absolutely adore the console. It’s made my life so much easier and more productive, and makes me look like a much better LD than I really am!”

For this tour, Rob’s brief from the band was to make the stage look as cluttered as possible and give it a sense of space and depth. Rob worked with video pioneer Kevin Godley, who came up with the concept of a forest of aluminium vertical poles with light shining through it to give the set a very 3D perspective.
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In his review Greg Persinger, principal consultant with Design 2020 Church Media Consultants, says “I can tell you that with the graphical interface, the timeline, the drag and drop features, and the common shortcut keys, the Vista has a very easy to use and powerful clip editor that allows you to create and customize your lighting looks quickly and easily. For me, what sets the Vista apart from any other moving light console is that editing is so fast and easy.”
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Lighting designer Paul Normandale and programmer Rob Sinclair (pictured) chose the Jands Vista for the recent international tour of BRIT-award winning band Keane. We asked them why they chose the Vista.

Rob Sinclair: “Adding and removing lights to suit each venue was a breeze: the copy, paste and extract features alone make it worth switching to the Vista. But quite apart from its unique features, the desk performed faultlessly throughout the tour and was a true pleasure to use”.

Paul Normandale: “As any programmer will tell you, the worst aspect of any tour is constantly re-programming the desk to suit every house rig. The Vista’s generic fixture model was very impressive – it just took our fixture data and adapted it to each rig. The amount of time we saved was significant”.