Altar Boyz, The Bristol Riverside Theatre, Bristol PA.

Lighting designer David Pedemonti specified a Jands Vista S3 console, his desk of choice, to provide lighting control for a regional production of the hit US Off Broadway show, Altar Boyz.

David was particularly impressed with the Vista’s ability to combine big bold looks with the show’s precise comic timing, and how quick and easy the show was to programme using the console’s unique visually based lighting plot.

Summarizing his experience of the Vista, David commented: “As a theatrical lighting designer, I am always searching for a console that handles well the conventional fixtures along with the moving heads and LEDs. The Jands Vista, for me, has addressed the entire process of cueing a show for all types of fixtures. The Vista’s interface and timeline make the concept of lighting much more user friendly, particularly when working with video and audio in a multimedia production.”

Rent at SUNY Geneseo. Photo ©Benjamin Gajewski

The State University of New York at Geneseo has purchased a Jands Vista T2 full size console for its School of the Arts faculty, which provides degree courses in stage lighting design, technical theatre and stagecraft.

Located in the historic village of Geneseo, the University is a premier public liberal arts college with a rich tradition of academic excellence. The campus facilities include a state-of-the-art theatre used for practical lessons and assessments, as well as an array of faculty-directed and student-directed productions, community-produced shows, dance concerts and musical theatre revues.

With a focus on teaching students to use the very latest industry technologies, Johnnie Ferrell, associate professor of theatre and technical director at the School of the Arts, decided it was time to upgrade their lighting console to something more modern, powerful and capable of handing the increasing number of intelligent fixtures.

Being active in the U.S. Institute of Theatre Technology, he decided to visit the USITT show to get hands-on experience of the latest lighting consoles available. After evaluating several popular industry consoles, Johnnie was impressed by the Jands Vista so arranged a demonstration for himself and his students at the University, provided by Jands exclusive North American distributor, A.C. Lighting Inc.

The Vista’s modern, graphic interface, pen-tablet control and ease of use made a big impression on Johnnie and the students, so he purchased a full size T2 console for the University’s theatre via local company, BMI Supply in Queensbury, New York.

Johnnie commented: “I have never had a lighting desk that is so easy to use. You can set cues faster and easier than anything I have ever used. The patch is always a snap as well.”

The console is primarily being used in the University’s 386-seater Alice Austin Theatre to control a lighting rig which includes various Altman, ETC, Elation and Vari-Lite intelligent and conventional fixtures. The Vista has also been used in the campus’s 950-seater Wadsworth Auditorium and 150-seater Robert Sinclair Black Box.

Student productions programmed on the Vista include The Clean House, Fool for Love, Rent, Pirates of Penzance, The Two Gentlemen of Verona and Joseph and the Amazing Technicolor Dreamcoat, as well as dance concerts every semester.

In addition to using the console on-site, the students also frequently edit their shows away from the campus using the free PC and native Mac-based Vista offline editor software.

Summarizing his experience of the Vista, Johnnie commented: “As my mentor stated about the Vista: did I want a lighting console that students could learn to program, or did I want a console that the students could light with? The students love the Vista and it has quickly become their console of choice.”

tobyMac ©Jeff Culmer

Lighting and video designer Nick West specified a Jands Vista T2 console to provide lighting, IMAG and video control for the recent tobyMac annual Winter Wonder Slam tour. The American Grammy award-winning gospel rapper’s explosive show featured Diverse City, his 8-member touring band, and played a series of US Arena dates throughout November and December. The touring schedule re-commences in March to promote the launch of tobyMac’s latest studio album, Tonight.

Tour lighting was provided by Axxis Inc., with lighting design, direction and programming by Nick West. Video was provided by Big Picture.

When it came to specifying lighting control for the tour, the Jands Vista was Nick’s desk of choice. Nick is an experienced user of the Vista range, switching between a rented full size T2 console for tours and his own S1 control surface for fly dates or using as a wing, which he takes on every show.

He commented: “When I saw the Vista, the timeline and ability to swap fixtures were major selling points. Often I fly to a show that morning and I may only have 30 minutes with the rig before we play, which gives me just enough time to focus. With the Jands Vista’s Mac or PC based offline editor, one quick advance call to get the fixture types and addresses from the local company and I can have the console ready to go before I even show up on site.”

The tour rig centered around a Barco Slite LED video wall upstage for IMAG and a low resolution Barco MiStrips LED wall in front of a 40 foot wide by 5 foot high riser.

120 Par Cans arranged in a 30 by four configuration were also flown in and out during the show, providing a major set piece used to spell out words. Nick was originally going to pixel map the Par Cans, but after starting to pre-program them on the Vista he found the console’s graphical based approach to programming made it very easy.

He commented: “The show starts off with ‘TOBY MAC’ spelled out in the Par Cans. After a couple of shows, Toby asked if I could do something specific with them, such as having them come on as if someone was writing it. I was able to instantly grab the fixtures, work with them in the timeline and have the effect within 30 seconds of him asking for it.”

The rig also included 22 Martin Mac 700 profiles, ten 26 degree Source Four Lekos, three ETC Sensor racks and two Motion Labs 220V Distros. Video came from a Catalyst HD media server. The lighting, video and live camera feeds were all triggered from the Vista T2 console.

Summarizing his experience of the Vista, Nick commented: “I use the Vista for anything and everything I do. It’s great having on-board visualization of your fixtures and the flexibility to layout the console to your specific needs. The Vista is great for controlling lights, IMAG and video. Technical support for anything is very quick. Jands listen to their users and continually make requests and ideas happen.”

Other production staff on the tour included Tour Manager Ryan Lampa, Stage Manager Sam Shifley, Lighting Crew Chief / FOH Cam Anthony Morgan, Lighting 2nd John “2Tone” Sumitra, LED Tech / Robotic Cams Jeff Culmer, and Shoulder Cam / Video Tech Nick Bush.

Cliff Richard and the Shadows 2009-2010 tour

Lighting and video designer Derek Jones specified a Jands Vista S3 console to provide lighting, IMAG and video control for the 2009 / 2010 Cliff Richard & The Shadows international tour. The sold-out tour recently completed shows at major UK and European arenas, and re-commences in February for a series of dates in Australia, New Zealand and South Africa.

When Derek discussed the choice of control console with UK and European tour lighting supplier, Lite Alternative, they suggested the Jands Vista S3. Having jumped between using many other consoles, Derek thought it would be a good opportunity to experience for himself the Vista’s graphical based approach to programming. On the strength of trying the free Vista demo software and then using the S3 for a one-off corporate show, he purchased a console to use for the tour.

Derek commented: “I felt very comfortable using the console, particularly the timeline editing function, which appealed to me having used timeline based editing for video editing. I was a bit nervous about the idea of using an unfamiliar console on such a major tour for the first time, but after trying the desk with success on a corporate show and a few hours of the tour rehearsals, I felt completely at home with the Vista.”

Having worked separately for both Cliff Richard and The Shadows over the past ten years, Derek was keen to design a show which suited both acts’ visual style, so he incorporated a mixture of traditional and high-tech show elements.

Derek wanted a multi-functional scenic / IMAG backdrop to save on truck space and provide a dynamic above-stage show replay system which would give the audience a central view of the IMAG. He specified a 13.5m wide by 4.5m high PixLED screen, supplied by XL Video UK.

For the lighting, he opted for a goalpost truss surrounding the screen featuring MAC700 spots and MAC2000 washes, 19 ETC Source Four fixtures and additional floor-mounted MAC700 units. Video came from a Catalyst media server. The Lighting, video and live camera feeds were all triggered from the S3 console.

Summarising his experience of the Vista, Derek commented: “The Vista has served its purpose very well. I feel very much at home with it. Because Vista is very software based, I can use any of the hardware options that Jands have to offer and still feel that I’ve got a full console in front of me.rdquo;

A temporary nightclub installation in Kristiansand, Norway used a Jands Vista T4 lighting console to control a state of the art LED digital lighting, projection and video system featuring Robe DigitalSpot fixtures and a large Chroma-Q™ Color Web™ video effects wall.

Club Salamander was part of the five-day Quart music festival. Built partially over a pond in the middle of a forest, the 3,000 capacity venue was packed out every night to house and electronica performed by leading international DJs including Bob Sinclair, Guru Josh, DJ K-Mixx, Inkfish, Trulz og Robin, Kenny Shifter and Andy Carvell, to name a few.

Stage Concept A/S provided the main production, with additional system equipment sourced from Norway-based production suppliers including Konsertsystemer A/S, Baerum Lyd, Norsk Sceneteknikk A/S and UK-based HSL.

The club’s lighting design was a creative collaboration between Stage Concept A/S, Thor-André Sæther and Baerum Lyd. With little time available for programming the ambitious temporary LED installation, the Jands Vista T4 console was specified due to its stability, fast programming and user-friendly interface, which the team felt would be ideal for their collaboration.

The lighting rig was hung from an 11m by 13m ground support roof over the dancefloor area. Fixtures included Robe’s DigitalSpot 7000 combined digital moving light projector and LED-based wash light, ColorWash 2500E AT and ColorSpot 700E AT moving lights, high power strobes and strip light battens. Further Robe moving lights, Griven Colorado fixtures and LED Par Cans were scattered around the venue to uplight the surrounding trees and create reflections over the water alongside the club. The DJ booth featured a 7m wide by 8m high Chroma-Q Color Web LED video wall, pixel-mapped via a Madrix system and lit through by ColorWash 575AT Zoom fixtures. A Green Hippo HippoCritter media server also fed content to two 50” plasma TV screens in the DJ area.

The Jands Vista console used 12 universes to control the various conventional, moving light and digital lighting and video sources. In addition to using the desk’s four DMX outputs, eight universes were distributed via Art-Net output using the new Chroma-Q Magic Box™ EtherSwitch 7™, a robust, high quality network switch that supports seven simultaneous Gigabit Ethernet network connections.

Club Salamander lighting co-designer, Thor-André Sæther, commented:

“I was the first to take on the Vista in Norway and I have never looked back since. As one of the Club Salamander lighting co-designers and having responsibility for the system set-up, in my opinion there really was no other suitable option than using a Vista T4. We were pressed for time and wanted a console that could handle the 12 universes we needed, as well as having the physical playbacks to make a lot of pre-programmed stuff available without having to cycle through page after page to get to what we suddenly needed. The Vista amazed me again with its ease of setup. Everything connected and worked flawlessly on the first attempt. The speed of programming achievable was a huge factor; along with the encoders it gave total control.

As for the Color Web, I personally don’t know of any other product that could have done the same job.
It comes together easily and it’s lightweight. Two hours with two people was all it took to configure, assemble and hang it. It created a fantastic visual framing for the DJs and drew a lot of attention from the clubbers towards them during the nights, which was what we wanted.”

Lighting designer Dave Boser of Image Technologies Corporation specified a pair of Jands Vista I3 consoles to provide lighting control for the Silpada Designs 2009 National Convention in Missouri. Silpada is one of the nation’s largest sterling silver jewelry home party companies, with over 28,000 independent representatives. This year’s three-day annual conference at the Kansas City Convention Center attracted nearly 6,000 sales representatives and featured presentations, an awards night and an entertainment night.

The live event was produced by Doug Flory and production managed by Bob Casey, with technical direction by Mark Scanlon. Lighting design / direction / programming was by Dave Boser, and master electricians Nick Wisdom and Michelle Morin assisted with the rig install and strike. Image Technologies Corporation provided all lighting and rigging equipment for the event.

When LD Dave Boser first saw the Vista console he was immediately sold on its timeline based editing and impressed by the mid-range Vista I3 model’s full feature set. He felt the console was the perfect all-in-one solution for Image Technologies Corporation, which provides creative, AV, multimedia and other production services to clients worldwide, so they invested in four Vista I3 consoles along with Wacom Cintiq 21” pen-tablet screens.

He commented: “The Vista is my first choice every time, it’s on everything I do since we bought them. The I3 is a fantastic value, I could buy a pair for not much more than a full size Vista T2 console. I like that it’s a closed system with an onboard computer (as opposed to the S3) and using it with the 21” Wacom tablet provides so much workspace!”

Having used the Jands Vista on all of his shows in 2009, Dave had complete confidence specifying the console on the impressive Silpada rig, which incorporated over 250 LED fixtures, moving lights, conventional fixtures, and 150 channels of dimming.

The multi-purpose rig consisted of overall stage lighting for IMAG and scenic lighting for different staging configurations each day, truss toning lit in the Silpada logo’s corporate colors and general house lighting illumination of the arena.

With no time to pre-programme the event lighting and only a day’s rehearsal time, the Vista’s intuitive interface allowed Dave fast and easy access to his rig. In addition, the console’s timeline editing provided a powerful time-saving feature for coping with last minute changes to the show and tidying up programming.

Long-time Vista user Nick Wisdom also oversaw the programming and installation of a second Vista I3 console in the party room, a separate invite-only event for Silpada’s top sales representatives.

Summarising his experience of the Vista, LD Dave Boser commented: “The Vista has been so easy to learn and use because it thinks the way I do. That kind of simplicity and intuitiveness is the key to making Vista the best thing out there.”

The Vista I3 is a mid-range lighting desk that provides all the revolutionary features of the full-size Vista T4 / T2 consoles in a smaller, more economical package.

Photos: © Bob Compton Photography.

Indiana based Grace Community Church has invested in a range of Vista lighting control solutions as part of a multi-million dollar expansion of its worship facilities. Models purchased include the full-size Vista T2, the portable Vista S1 and the playback-only Vista M1 consoles. This is to expand the church’s capacity to three weekend worship auditoriums, to accommodate as many as 6,000 churchgoers on a typical weekend.

The Church relies on a team of over 100 volunteers to assist the paid production staff during services, which can run simultaneously in up to three auditoriums. Senior Director of Production, Daryl Cripe, therefore felt it was essential to invest in a lighting console that the inexperienced volunteers could easily understand.

He commented: “For our Church’s philosophy, I had equal desire for functionality and ease of use in our choice of lighting console. Instead of being like a typical theater or concert, where a single person is responsible for all lighting, we are passionate about allowing volunteers, all of whom have no previous lighting experience, to be trained on and operate our theatrical lighting system. As such, yes, we need a lot of features and stability, yet we also need a console that is visual, easy to train on.”

Daryl and his production team utilized or tested various consoles, yet nothing they tried in their opinion compared to the Vista in terms of ease of use. He commented:

“From our volunteer’s perspective, the Vista is VISUAL. They can look at a screen and see what they are doing. It feels very familiar to navigate, so they can use their existing computer knowledge. We can configure the Vista screen to look like our lighting layout in the room. The ease of creating groups, presets, cues etc. is all so simple. In addition, patching fixtures in Vista is incredibly simple. I recently showed the Technical Director at another Church our T2 console and when I showed him how to patch an automated fixture, his mouth dropped open!”

Whereas most traditional full-scale lighting desks rely on number-crunching to program shows, the Vista utilizes a graphic based interface. As a result, users can work visually and get on with designing better shows, rather than getting distracted by the actual programming process itself. It makes programming extremely fast and getting to grips with the console a relatively short learning curve.

The lighting console’s ease of use would mean absolutely nothing if it wasn’t up to the job of controlling the state-of-the-art lighting system in the Church’s main auditorium; the centrepiece of their expansion program. Featuring a large 80ft by 40ft stage and seating in a 270° configuration, the Church uses high production values to emphasize the themes of its services via an eclectic mix of music, drama and video. The venue’s extensive lighting rig includes over 850 LED, moving and conventional fixtures controlled using six universes of DMX and over 2,700 DMX channels.

Daryl was looking to bring his creative vision for the services to life using the rig’s many cutting-edge LED fixtures; to literally paint the whole room with light. A full-size Linux-based Vista T2 console provides seamless automation of the auditorium’s lighting rig and blackout window shutters. LED fixtures provide color changing wall uplighting either side of the stage area, while a mixture of moving lights, PARs, ParNels and conventional fixtures provide theatrical performance lighting for music and drama during the services.

In addition, smaller 1,100-seater and 400-seater auditoriums are controlled using the Vista S1 and M1 PC based consoles. The two control surfaces are designed to be used with either a Windows PC or native Mac laptop and DMX channel dongle package, providing portable and affordable Vista solutions.

The ability for volunteers to be able to switch easily between consoles in all three auditoriums was another key factor in Daryl’s decision to choose the Vista. All models share exactly the same visual interface and controls, making a transition between models seamless.

Daryl commented: “Frankly, I cannot overstate how important this consistency is. Going back to the reality of utilizing volunteers, of DESIRING to use volunteers, the ability for those volunteers trained on the T2 to walk into a room with Vista PC and S1 / M1 and sit down and get to work creating… that is extremely valuable! In addition, if someone was trained on Vista PC, it’s not difficult for them to then utilize the T2. Also, we have had volunteers take Vista PC home, to experiment with it on their own. Again, it’s a great value to our philosophy and a great opportunity for our volunteers!”

Another labour-saving feature of the Vista, its innovative timeline editing function, is proving invaluable to helping the volunteers understand how to program a show. The timeline gives users the complete picture of their lighting events, making it easy to make sense of complex changes and put the finishing touches to their show.

The Vista’s intuitive interface is proving popular with leading US houses of worship. When launched, the product was voted ‘Best Automated Lighting Controller’ and ‘Best Overall Lighting Product’ by an expert panel of judges at the 2006 WFX Show New Product Awards in Dallas, due to its suitability to the industry’s unique production environment.

Grace Community Church Senior Director of Production, Daryl Cripe, commented: “While a few ‘big name consoles’ often get most noticed in the touring world, the reality is that nothing I have seen compares to the combination of functionality and ease of use that the Vista series provides. We still need a robust console based on our lighting rig, but it is critical that it is easily trainable to volunteers. These consoles allow us to push our creativity and ultimately, our volunteers have the joy of combining creativity and support of our services. We want them to be spending their time having fun programming, not trying to figure out some complex function on the console itself. ANY church that desires to use theatrical lighting and wants to provide volunteers the opportunities to create should be examining this series of consoles. We love our Vistas.”

Feature photo – the Grace Community Church lighting team. Courtesy of ©Kris Rinas

Click on the image to see more preview screenshots from the current beta version.

No one can afford to waste hours getting basic technology working, which is why Byron features ‘zero-configuration networking’: connect a Byron to another console or PC running Vista 2.0 software and they will automatically find each other and connect.

Byron uses Apple’s proven Bonjour™ networking technology to do this, a ‘no IT guy’ solution that makes backup and more advanced networking operations easy. With Byron you’ll never have to enter an IP address or configure a DNS server again.

Bonjour is a trademark of Apple Inc., registered in the U.S. and other countries.

The thing that makes the Vista so special is its visual interface, but we understand that sometimes the traditional ways have their uses. This is why in Byron we’ve included a command-line interface.

The Byron command line is completely synchronized with the interface, showing the clip or step you’re editing at any time. When you type a command you see the equivalent action happen on the fixture icons and control palettes: all pen-driven commands are interpreted into plain language on the command line in real time. Of course, the command line supports all well-known numeric keypad syntax (for example, typing ‘1/26*55’ would set fixtures 1 to 26 at 55% intensity).

If you’re used to selecting lights and setting levels by numbers, you can use the command line in combination with the Vista’s visual interface to give yourself even greater control than before.