Jands Vista


L5 Controls Lighting & Media for Incubus

Incubus photo by Steve Jennings

Photo © Steve Jennings

A Jands Vista L5 console was chosen by Chicago based Lighting Designer, Robb Jibson of So, Midwest Inc. to control lighting and media for multi-platinum selling rockers, Incubus. Sharing the headline of the North American 2012 Honda Civic Tour were Grammy award winning rap-rock outfit, Linkin Park.

Robb was first introduced to the Jands Vista platform earlier in the year when he was supplied a Vista L5 on the Australian leg of Incubus’ tour. Although initially cautious, he was immediately impressed by Jands’ flagship console with its powerful Vista v2 software, and after using it chose to make the swap to the platform at the first opportunity.

Initially using a Vista T2 for Incubus’ spring run, then a Vista L5 for the high profile Honda Civic Tour, Robb explains that as a designer he likes his consoles “to be as intuitive and easy as possible to operate”, stating that “the Vista absolutely delivers on all levels.

With complex timing changes, intricate programming, an extensive lighting system and multiple video content and input layers, Robb’s design required a fast workflow, which the Vista’s simple, powerful interface helped him achieve.

Timing is central to Robb’s designs, and he really appreciates the ability to fine tune each detail quickly and accurately using the Vista’s timeline.

The Vista makes it so easy to add complex timing and build intricate programming very quickly. With all the power you need and virtually unlimited possibilities – what more do you need?” Robb enthuses.

The L5’s design is dominated by its 21 inch High-Definition TFT screen. This comfortable work-surface allows everything to be accessed quickly and clearly on the rig. Ergonomically, “It’s a great desk” says Robb, commenting that he likes the feel and positioning of the faders plus the ‘clicky-ness’ of the flash buttons.

The L5 ran the system via ArtNet on the Honda Civic tour, which proved to be rock solid.

Following such positive experiences using the Vista control platform, Robb decided to invest in his own Jands Vista S3 console, which he used as a tracking backup on the Honda Civic Tour.

Opening for Incubus and Linkin Park were prog-rockers MUTEMATH, whose LD, Darien Koop, is also a dedicated Jands Vista fan.

Vista L5 for Queen and Adam Lambert

Queen and Adam Lambert

A Jands Vista L5 was chosen by leading Lighting and Visuals Designer, Rob Sinclair, to control lighting and media for British rock legends, ‘Queen’. Their recent string of high profile shows featured American Idol star Adam Lambert as lead singer.

The first highly anticipated show truly tested everyone’s technical and creative skills. Performed in front of enormous crowds (estimated at up to 500,000 people) in Independence Square, Kiev, Ukraine – the concert was televised live as part of the Euro 2012 Football Championships, as well as being streamed online.

Although Rob has been a keen Vista user for a number of years, this was his first experience using the new flagship L5 console. Choosing to do so on a show of such stature and visibility was a real testament to his confidence in the reliability and flexibility of the Vista family.

Rob’s design concept began with the classic look of the massive Queen PAR can rigs of the 1970s and 80s. It was then evolved into a stunning contemporary version by taking advantage of the latest LED, automation and control technologies.

The touring rig featured over 200 moving lights arranged on six moving pods over the stage that were able to shift into different positions throughout the show.

Custom video – co-ordinated by Rob – was played back from a Catalyst media server that was also under control of the Vista L5.

Rob was extremely impressed with his experience, “The L5 has definitely been designed to make controlling even large and complex shows like this extremely easy” he comments. He found the console’s 21 inch high-definition screen made it “very easy to find everything quickly.

Rob took full advantage of Vista’s Matrix Effects to quickly get some great looks out of the rig’s 180 Mac 101s when they were configured as a big par wall. He concludes that Vista gives the tools to “Achieve straightforward tasks very easily, whilst retaining the ability to engage in complex programming. You don’t have to do any maths to write a cue.

Given the choice, Rob has specified Vista control extensively on his shows for the past few years. As well as Queen, these include Peter Gabriel, Adele, Pulp, Pet Shop Boys, Keane, and Will Young.

All photos courtesy of ©Rob Sinclair. Click to enlarge.

Vista v2 for Andrea Bocelli tour

Andrea Bocelli 4

Italian based lighting designer, Aldo Visentin is using his own Jands Vista S1 lighting console running the next generation Vista v2 software, plus two Vista M1 Wings, to control lighting for Italy’s most beloved tenor, Andrea Bocelli.

Aldo’s creative relationship with Bocelli started in 2006 and this tour’s natural innovative design contains lots of subtleties, with slow colour changes and no visible movement. It is operated completely ‘live’ every night using the Vista’s powerful visual interface and just a few pre-programmed presets. This allows Aldo the creative freedom to reflect the spirit of the evening in the lighting, and flow organically with the mood of the set.

Rather non-conventionally, a typical Bocelli tour will feature two or three shows a week over a three week period – often on different continents. Instead of touring a production lighting system, lighting equipment is normally hired locally for each concert.

At each show, Aldo has around 105 different moving lights to incorporate in to the design. Vista’s powerful fixture swapping allows him to quickly and accurately replace any previously programmed fixtures. He finds this to be incredibly fast and intuitive, and a real time saver.

Aldo needed a system that was both easily travelable and cost-effective, so that he always had the right tools to deliver his shows. He checks the Vista S1 into the plane hold, while the two Vista M1s and laptops come onboard as carry-on luggage. In this way he is able to use his travel time to work on upcoming shows while on the move.

On this tour, he most appreciated Vista’s livetime functionality. This allows him to set a time and then simply choose what he wants the fixtures to do – whether programmed or completely ad-hoc. “It’s really nice to have no creative restrictions when you are operating” he confirms, adding that he feels so comfortable with the overall ‘visual environment’ of the console.

He thinks the extensive range of Vista hardware options available is a great benefit, offering an “extremely flexible, powerful and very customisable solution for any application or situation, all running the same reliable software architecture.

Click images to enlarge


Vista v2 controls innovative Mutemath visuals show

Mutemath 1

A Jands Vista T2 console, running the next generation Vista v2 software, has been controlling lighting and visuals for progressive rockers Mutemath on their recent US tour.

The tour’s production design was a creative collaboration between the band themselves and Jeff Lava & Darien Koop of Nashville based 44 Designs.

44 Designs are a full service visual design practice, specialising in creating lighting, video and staging concepts for all types of performance and live shows. The company now owns five Jands Vista consoles after purchasing their first when 44 Designs was formed in 2008. They continue to be firm advocates of the brand, citing that with Vista v2 software it really is the ultimate designer’s tool.

The touring system features a lighting floor package including a selection of moving lights and generics, as well as a 24 foot wide aluminium screen-like structure which is supported from a rear truss. The structure is fed with mapped video stored on a Pandora’s Box media server.

In addition to their own touring equipment, Mutemath plugged in to the house lighting rig at each venue. The Vista’s ability to quickly and accurately swap and clone programming between different fixture types, even using different colour systems, offered quick and easy integration of the available venue lighting into their show each day.

Darien, who programmed the T2 and ran visuals on the tour, remains hugely impressed with the performance of the Vista v2 software.

He thinks the Timeline editing on Vista v2 is “fantastic”, allowing the operator to drill down to far greater depths and much faster than before. “They have really nailed the timeline now, it’s very simple and offers possibilities that I’ve not found on other consoles” he says.

One function that has helped him out is the ability to customise and build new fixture profiles. on the console. This feature was used to write a personality for the brand new Pandora’s Box v5 before it was generally available, creating exactly the profile they wanted, and even tailored to the way the media server is specifically being used on their tour.

Darien feels that Jands really listen to user feedback in their quest for continual improvement of all their products.

He concludes “If you are a designer and haven’t taken a proper look at Vista v2 yet, you really need to…

On top of that, he notes the superlative service, support and backup through Jands’ US distributors, AC Lighting Incc.

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Vista v2 Shines on Third Day

Alabama based Lighting designer Taylor Price used a Jands Vista S3 console, running the next generation Vista v2 software, to control lighting for the recent US tour of Grammy Award winning rockers, Third Day.

Taylor made the switch to the Jands Vista platform while lighting another Grammy award winner, Switchfoot. Their punishing touring schedule meant Taylor was looking for a powerful yet portable control system that could easily travel on a plane. His solution was to join the growing international family of lighting designers who have bought their own Vista system. He’s not looked back, and has been an enthusiastic Jands Vista user ever since.

Third Day play a wide variety of venues using a mix of their own touring rig and locally supplied production. On arena shows the Vista S3 was controlling the full touring rig of VARI*LITE 3000 profiles, VARI*LITE 3500 washes, Martin MAC 101’s, Martin MAC 301’s, Atomic strobes and conventionals, all supplied by Theatrical Media Services (TMS) from Omaha, Nebraska.

For some of the smaller shows, the rig was reduced and integrated with the house system. Taylor was able to simply change fixture types in the patch, giving him the flexibility to run his show on whatever fixture types he had to work with.

The final backdrop of Taylor’s high energy, classic ‘rock and roll’ design was a light bulb wall containing 300 standard 60Watt incandescent household bulbs. Vista v2 gave Taylor the tools to effortlessly get the most from this dynamic scenic element with minimal programming time.

Click images to enlarge

British Rock ‘n’ Roll Legends

Busy UK-based lighting designer Derek Jones recently bought a Jands Vista S1 to help service his busy autumn season, including legendary British artist Cliff Richard’s “Soulicious ” tour and another with equally maverick performers, The Hollies.

With both tours overlapping Derek took his new Vista S1 out on The Hollies, while he called on Lars Kristiansen to operate Cliff Richard and the Shadows on his Vista S3.

Derek bought the Vista S3 some two years ago, and it has been on the road ever since. He has been running the next generation Vista v2 software since its launch and comments, “It’s brilliant.

Vista v2 was designed from the ground up to allow all levels of user get the most from whatever mix of technology they have available, whether dimmers, moving lights, LED, or media. Available in a wide range of hardware options Vista v2 offers both the simplicity to work fast, with the power to control the finest details, so everyone can focus on creating a great looking show rather than on programming a desk.

Derek has worked with The Hollies for the last six years. The band, known for their fabulous, rich vocal harmonies were among the UK’s leading groups throughout the 1960s and 1970s, are still hugely popular. They tour twice a year for five weeks each, playing to completely sold out audiences in theatres and concert halls nationwide.

Being in constant demand, Derek brought in Gareth Pritchard to cover the shows when he was unavailable. With each song programmed into a Snapshot, Derek was able to pass the show over, and with the single press of a button – each song was set up, labelled and ready to go.

The lighting rig, supplied by Blackburn based Lite Alternative, consisted of a front and back truss featuring Martin Professional MAC 700s and MAC 250 moving lights, Mole Richardson MoleBeams, Sunstrips, plus a selection of PARs and ACLs.

The band performed an intensive two hour set, encompassing 28 songs, with each number having an individual look.

Next on Derek’s schedule are flamboyant US disco divas Scissor Sisters in Australia, the Pacific Rim and Asia, where a Vista S1 will be in control and simply toured with the backline.

Jands Europe’s Neil Vann commented “Vista v2 offers designers like Derek the perfect balance of power and simplicity. It is fast to use, yet allows for detailed control of even the most demanding shows. With a wide range of hardware options, there is a console to fit almost every style, scale and budget of show. Make sure that you take a look at Vista v2 for yourself and see what this exciting next generation of control can offer you.”

Click images to enlarge.

Domenico Modugno tribute at the Petruzzelli theatre

Recently Giancarlo Vannetti, Jands Vista product specialist for Italy, was pleased to help his friend and new owner of a Vista T4, Lighting Designer Paolo Firulli with a special event in Bari Italy.

The event was the “Meraviglioso Modugno” a tribute to Domenico Modugno, a songwriter, actor and one of the best known Italian singers from the 1950s. The show was held on November 25th in one of the largest and most beautiful theatres in Italy, the Teatro Petruzzelli located in Bari. The challenge for LD Paolo Firulli and Giancarlo was to create a unique atmosphere for each of the 13 Italian artists who performed different Modugno’ songs, each of them featuring a different stage setup.

The lighting rig was simple but effective. Rigged across 3 overhead trusses were 20 Robe MMX Spots, 20 Robe ColorWash 575 ATZoom and some conventional fixtures. The background was lit by 20 Robin 300 LEDWash, all supplied by International Sound owned by Franco, Paolo and Gianni Firulli, one of the biggest rental company in southern Italy.

Commenting on Vista v2 Byron, Paolo says “I’m really impressed how quick and easy we could create a lighting show performing live with less time than usual and with a bunch of different artists on stage with different setups. Giancarlo introduce me to the Livetime feature which is great in this conditions and busking the show is so simple and fast!

This was also an opportunity for Giancarlo to demonstrate the Vista, running the v2 software to the theatre staff who have shown interest in the using the console on other shows. Giancarlo commented, “People are always surprised how the v2 software can make simple the programming work, Copy/Paste commands let people literally go WOW! Live Timing and Timeline are really appreciated features for theatres were a detailed control and manipulating of pre-programmed events is required and allows the operator to gently control any type of effect or feature with smooth fades

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Lighting designer and long-time Jands Vista advocate, Rob Sinclair specified a Vista S1 console with two M1 wings to run lighting for Grammy Award-winning UK singer-songwriter Adele’s recent 2011 international tour.

The system ran Jands’ next generation Vista v2 software, and on some sections of the tour operating duties were taken on by John Barker while Rob fulfilled other design commitments on his busy schedule – including tours by Peter Gabriel and Goldfrapp also utilising Vista systems.

Rob’s classy, innovative design for Adele was sculpted using entirely white light, a bold aesthetic move which has won considerable acclaim. None of the moving lights were seen to move, there was minimal flashing, and was a real case of subtlety and suggestion to augment Adele’s powerful performance and natural stage presence.
There was a distinctive back wall of 96 cone-shaped lampshades each illuminated from behind with a 60 Watt incandescent household light bulb – all individually dimmed. These had been dipped in a special rubber solution treatment to make them break-resistant.

The Matrix facilities on the Vista S1 – one of the many tools added with the Vista v2 upgrade – made mapping and programming this unique arrangement of lights extremely easy.

The lighting rig echoed the simplicity of the show’s concept. Rigged across three overhead trusses were seven Robe ColorSpot 2500E AT moving lights and 20 ETC Source Four profiles, and on the deck were 16 Martin Professional MAC 2K Washes, all supplied by Neg Earth Lights.

Commenting on the Vista v2 software, Rob says, “I really like it. It is very solid and a marked step forward from V1. It feels almost as if the console directly connects my brain to the lights”.

In addition to Rob’s Vista systems being used on Adele, Pulp, Peter Gabriel and Goldfrapp tours throughout 2011, one has also just gone out on Will Young’s latest UK tour, operated by Jason Hynde.

The next generation Vista v2 software was designed from the ground up to allow all levels of user get the most from whatever mix of technology they have available, whether dimmers, moving lights, LED, or media. Available in a wide range of hardware Vista v2 offers both the simplicity to work fast, with the power to control the finest details, so everyone can focus on creating a great looking show rather than on programming a desk.

Jands Europe’s Neil Vann commented, “Rob’s designs are always interesting, fantastic looking and very precise. Vista v2 offers the perfect balance to get the detailed control he demands, with the simplicity to get the most from the tight timeframes that today’s productions have to work to. If you haven’t taken a look at Vista v2 for yourself yet, take the chance to see just how much you could be getting from your time……


FOH for Adele at the Royal Albert Hall

Photo courtesy of Rob Sinclair - click to open

Adele’s recent concert at the Royal Albert Hall was filmed for an upcoming DVD and LD Rob Sinclair laid in some extra control for the night. Pictured from left to right:

>> Vista T4, running all audience lighting
>> M1 running group masters as inhibits for the film lighting
>> M1 attached to the T4 putting keylights within easy reach
>> Rob’s own S1 and 2 M1s to run the regular show lighting

Following her sold out tour in April and the success of her second album ’21′ Adele is currently playing more shows across the UK.

She has now become the first solo female to score eleven consecutive weeks at the top of the UK album chart, as well as being the first female artist to have two records and two singles in the UK top five at one time.

The Gypsy Kings

The renowned Gypsy Kings – credited with helping to bring the distinct sound and style of Rumba Catalana pop music to worldwide audiences – have just finished their latest US tour, with lighting designer Michael Sharon using his own Jands Vista I3 console for control.

Michael, based on the U.S. West Coast, is an independent lighting designer with a wide variety of clients. In addition to four years of designing for the Gypsy Kings, he has also designed a wide range of corporate shows for many different clients.

He first used a Jands Vista, on this occasion a T2, when he originally started working for the Gypsy Kings. This was provided by the lighting contractor at the time, PSI Production Services in Denver. He completely “fell in love” with the console and decided to purchase his own Vista I3 from Jands US distributor A.C. Lighting Inc. so that he never had to go back to using another type of console. He has not looked back since!

To cope with the everyday demands of touring, Vista’s powerful generic fixture model provides quick, straightforward and accurate fixture swapping to adapt Michael’s show to fit whatever type of lights he is faced with. This proves a perfect solution when the tour picks up local production, as opposed to using their own lighting rig, and ensures that he always has his show running on his console of choice.

The last Gypsy Kings tour lasted nearly four weeks, and they generally do about three 4-week US tours a year. Originating from France with a Spanish Romani heritage, they sing in a unique Spanish/French ‘Calo’ argot and are hugely popular among world music fans. The venues on the last tour were a mix of sheds and theatres, with capacities of around 3,000.

A typical local lighting rig, on which Michael would run his show from his Vista I3, would contain around 120 PARs and between 10 and 25 moving lights of different types. This would often be supplemented by a “specials package”. At the iconic Radio City in New York, he used Chroma-Q™ Color Force™ 72 RGBA LED battens to highlight some soft goods hired in for the show, and again at the Filene Centre in Wolf Trap National Park for the Performing Arts, Washington DC, to up-light custom scenic columns.

I love the way a single fixture can illuminate a 30 foot high surface, with a great color range and still have plenty of punch…” he comments on the Chroma-Q Color Force fixtures, a brand also distributed by A.C Lighting Inc. “..and the Vista really lets me get the most from them.

As well as offering him a fantastic console for touring, he comments that for corporate events and other shows where time is short, the Vista’s next generation timeline is “Fantastic”, which he expands saying, “When working on complex timelines, I can use the timeline, to easily see and make precise adjustments to individual parameters.

While great for tightly cued shows, Michael also finds the console ultimately buskable with the ability to configure the interface to the user’s exact requirements. He loves being able to have instant access to everything. “For busking, I have more options than just calling up presets on the fly. Using Extracts, I can trigger complex movements, effects, and routines which make for a visually richer show.

Coming from a theatre background, he comments that the visuality of the Vista interface is amazing for making the most of his time “You can see graphic representations of elements like gobos in the different lights rather than just looking at a load of numbers – it’s so much easier to work offline.

Michael is hugely impressed with the backup and service he receives from Jands US distributor, A.C. Lighting Inc. He concludes, “Overall, AC Lighting’s technical support is absolutely brilliant.

Michael’s Vista is already lined up for the 2011 Oracle OpenWorld conference at the Moscone Convention Centre in San Francisco, highlighting the Oracle Racing team – winners of the 2010 America’s Cup World Series Regatta in Valencia, Spain. He will be making the most of the Vista’s flexibility by using a laptop running the Vista software to control a trade show booth in one part of the convention, while his I3 will be running the lighting rig for a press conference and presentation area in another.

The next generation Vista v2 software was designed from the ground up to allow all levels of user get the most from whatever mix of technology they have available, whether dimmers, moving lights, LED, or media. Available in a wide range of hardware Vista v2 offers both the simplicity to work fast, with the power to control the finest details, so everyone can focus on creating a great looking show rather than on programming a desk.

Fred Mikeska, VP of sales and marketing at AC Lighting Inc comments “Michael is just one example of a designer who took a look at the Jands Vista, and has never looked back. The Vista, and the next generation Vista v2 software, really does offer the perfect balance between the power to control your show accurately, with the simplicity to work fast. If you haven’t seen Vista v2 yet, you really should take a look and see what you are missing out on……